| Saltwater Artists Gallery is open for the season! Display areas are hung and arranged. Eight new artist members have joined this us this year (two photographers, wood carver, a Zentangle artist, a pastel artist, and three painters), all very enthusiastic about their first season with the gallery. In addition to showing our 27 member artists, we have a busy season ahead that offers a number of new workshops, shows and events. We kicked off the season with our 2nd annual student art show, featuring the artwork of the talented young artists from Lincoln Academy. We will be having two juried shows this season, "Ropes, Rigging & Reflections" will honor Maine's time honored fishing industry, followed by "Wildflowers", a 12x12 show highlighting the variety and vibrancy of Mother Nature's flora. We also are excited to be |
|
hosting our 4th annual "Paint the Point" plein air day on Pemaquid Point. Our upcoming workshops include experiences in silk scarf dyeing, origami paper folding, basic wood carving, rug hooking, and the art of Zentangle. Something for everyone! Check in on the Saltwater Artists Gallery Facebook page for updates and go to saltwaterartists.com to register and get additional information on our workshops and events.
0 Comments
I had to an add a shaped wooden filler to the concave center of the dish to create a flat surface where I could adhere the enameled dish. Before epoxying the enameled dish to the center section I added eye hooks and hanger wire on the back, along with a small wooden strip with felt bumpers to make sure the piece would hang parallel to the wall. Final step was to epoxy the enameled dish to the center section - finished and ready to hang!
A number of years ago I created a relief sculpture that featured a bronze cow, a bronze relief "moon face", and a small wooden "earth" (made from a wooden drawer pull) all mounted on a 12" hand-turned wooden appetizer dish. Unfortunately the sculpture was damaged when being transported.The box containing the piece was too close to the car's rear hatch when it was closed and a portion of the wooden backing dish was broken off. It was unrerpairable. Finally this winter I found to find a suitable replacement for the broken dish. It happened to be a similar appetizer dish made by the same company as the original dish (Woodbury's Woodware in Shelburne, Vermont). The only difference was that the original had a concave center section and the replacement dish had a flat section covered by a ceramic tile. After removing the tile and adding a 1/4" thick piece of wood to replace the tile, I was able to drill holes to accommodate the threaded rods that would hold the moon to the dish. The next step was to drill a hole for the cow attachment rod and a shallow hole so that the earth could be glued into place. Last step before final assembly was to add the hanging wire on the back, along with a wooden "pad" that would allow the piece to hang flat on the wall. Finally - "Lunar Eclipse" was resurrected and ready to be hung at the gallery for the 2026 season. Saltwater Artists Gallery will be opening on Friday, May 22 and I look forward to seeing my flying bovine hanging on the wall in my display area. One giant leap for artist-kind!
newest casts, I include some sort of sea "flora" to add depth and interest to the composition. After trimming the impressed clay slab to size, I enclose it in a wooden box frame and pour in a layer of casting plaster to a depth of about 1/2" . Once the casting has been removed, dried and cleaned up, I paint it with graphite gray acrylic paint. The relief surface is then rubbed with a soft paper towel to bring out the metallic quality of the paint. Finally, the relief is double- matted and framed. I have found I enjoy the challenge of arranging the fish in these relatively small spaces - adjusting the number of fish and each fish's position in relation to the others that I have included, creating the impression of a dialogue or story in this moment in time "under water". The smallest change of angle or spatial relationship can alter the viewers visual interpretation of the image. As I have often said before, I do enjoy a challenge. On to the next!
Additional elements would be needed to enhance and complete this relief composition, and I decided on making several smaller fish that would be "swimming" in the opposite direction. I cut out and shaped 4 much smaller fish (about 3 1/2" long) from a 3/16" thick strip of Wenge wood. The dark color of the smaller fish created a great contrast to the light color of the bamboo, the bronze fish, and the driftwood. Before attaching the relief elements, I added hanging wire & eyelets on the backside, and a wooden "bumper" along the lower strip of bamboo to help the piece hang flat against the wall. I started the final assembly by gluing the 4 smaller fish to the bamboo and, once they were secure, I glued the 2 driftwood pieces into position. The last step was to place the bronze fish into place with its threaded rod through the driftwood and bamboo, then tighten the nut and washer. Voila! The piece was complete! On to the next...
each end. My first task was to remove the uneven ends of the various glued sections and the glue residue so that all of its sides were flat, and then I thoroughly sanded all surfaces. I decided to use a 1/2" oak wooden dowel to support the wooden spheres. This meant that I had to drill holes at the same height through both vertical ends of the arch (a challenge!). In order to strengthen the thinnest part of the arch I attached a 1/2" thick 5"x15 /34" mahogany board to bottom of the the base. The next step was to drill holes in the spheres so that I could Assembled with dowel & coated with butcher's wax eventually be able to thread the wooden dowel through their centers. First I had to sand one end of each sphere so that I could center the drilled holes and the balls could be lined up together more accurately. After gluing the two balls together, I re-drilled the holes and checked to make sure that the dowel would pass through both smoothly. The final step was to position and glue the 2 spheres at the center of the rod, glue the rod in place over the arch, and finish the piece with a coat to liquid butchers wax. Very happy with the result. As I envisioned it!
and then, starting June 13th we will be open 7 days a week until the end of the season on Friday, October 17th. Saltwater has undergone some major transformations over the off-season that we hope will give our visitors an enhanced viewing experience. We have also added a number of special events to in addition to our annual Plein Air Day on Pemaquid Point. For more event information go to www.saltwaterartists.com and check out our "2025 Calendar" section. Hope to see you!
I finished up another relief that I will be hanging for the upcoming show season at Saltwater Artists Gallery. As I prowled through a myriad of long neglected boxes and containers of "mystery contents" in an effort to free up some needed room in my studio work space I came across a raised wooden disc that I carved (as a "moon face") in preparation for a bronze sandcasting class a number of years ago. That discovery brought to mind an interesting piece of wood that I also had put aside "for a rainy day". It was comprised of a series 8 narrow strips of wood that had been glued together to form one plank, with two strips of yellowheart flanking 6 strips of padauk. I began by playing with possible placements of the "moon face", settling on having it at the top of the plank with left and right edges hanging about 3/4" over the edges of the plank and the top curve just barely over the top edge of the plank. In the space below the moon I then made an arrangement of 3 wooden door pulls in an arc. Before doing finishwork on each individual parts, I made narrow strip of padauk that I could put across the back of the plank to give me more depth to add eyelet hangers as the plank itself was only about 1/4" thick. I also made a smaller piece of pad auk to put at the lower part of the back of the flank to make sure the piece would hang evenly. After sanding all of the parts and coating them with liquid butchers wax (my new favorite finish!), I proceeded to assemble the piece.The final piece measures 8 1/2" in width, 12 3/4" tall, and 2" deep. I titled this piece "What the Moon Said"...interpretations, as always, are up to the viewer!
these pieces you can read about it in several of my past blog posts - 8/10/15, 8/26/16, and 8/25/20. It has been an interesting challenge over the years to create new compositions in a relatively small space - varying the number and positioning of the fish as well as the addition (or not) of the vegetation. But then - I have always enjoyed a challenge!
|
AuthorCynthia Smith, Maine artist, originally from Connecticut. Taught art at secondary level for 35 years, retired in 2004. Sculptures in bronze, wood, stone, clay & plaster. Her work has been shown at several mid-coast Maine galleries and shows. Archives
July 2025
|
RSS Feed