* Below are a few samples of pages from my notebooks
with the titles of the reference books and their authors listed below the selections.
the Figure edited by Jean Henry by Albert E.Elsen
C.V.SmithARTWORKS |
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As a high school art teacher for 35 years, I had many occasions to engage my students in the study of many artists from throughout history...to learn about their backgrounds, influences, and techniques, and to be able to to recognize their styles. This process would also generally involve making drawings of specific works of art to assist them in getting familiar with the artists they were studying. I found myself engaged in this same process of making visual notations as I took classes at Maine College of Art in Portland, especially in the sculpture classes taught by John Ventimiglia. I had always enjoyed taking classes as an adult. The experience of being on 'the other side of the desk' allowed me to fully commit to explore, analyze, and absorb solely for my own enrichment. The notebooks that I kept for John V's classes were rewarding in many ways at the time that I did them, but they continue provide enrichment and inspiration as I look back through them from time to time. The most fascinating aspect of doing the drawings is that moment when you realize that the line you have just made actually makes you feel like you were running your pencil over the surface of a three dimensional figure - and that the original artist made the same line while drawing from a live model and had the very same feeling. It is truly an out of body experience - and worth repeating! * Below are a few samples of pages from my notebooks with the titles of the reference books and their authors listed below the selections. Three American Sculptors... by J. Wasserman A Concise History of Modern Sculpture by H. Read The Woman Sculptor... by M.B.Hill (catalogue) Modern Sculpture by Jean Selz Gauguin to Moore... by Alan Wilkerson Sculpture of the 20th Century by Andrew Ritchie The National Sculpture Society Celebrates Origins of Modern Sculpture: Pioneers & Premises
the Figure edited by Jean Henry by Albert E.Elsen
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Having inherited the Smith family sense of humor, I thought it would be amusing to return the log candle holders to my brother the following Christmas with some red ribbon and fake holly attached. My brother, also having the Smith family sense of humor, returned the favor the next year giving me the double decker patriotic version. Then I went side by side on wheels with new red candles. The toilet paper was my brother's addition. So I went 'loco-motive'. At some point the used and abused recycled birch logs and pieces started to be replaced, when one or the other of us couldn't successfully dismember and reconstruct something new. The challenge was not to be the one who had to start over. One of the most complicated pieces we ended up with was a full rigged ship (of sorts) that had a carved female figurehead and was set up like a weather vane. That one definitely required a 'start over'. There were several years of variations on a mouse Santa Claus. The mouse eventually morphed into a rabbit. Here it is 2013 and I am faced with a workbench covered with the bits and pieces of birch log 2012. I've got wheels attached but ...
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AuthorCynthia Smith, Maine artist, originally from Connecticut. Taught art at secondary level for 35 years, retired in 2004. Sculpts in bronze, wood, stone, clay & plaster. Her work can be seen at several mid-coast Maine galleries and shows. Archives
June 2023
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